Pueblo

Knowledge Symbiosis with Roxanne Swentzell and Anne LaForti

 

Speaker: Roxanne Swentzell and Anne LaForti | Air Date: January 26, 2024 | Run Time: 62 mins | Season 4
Cover art by John Jairo Valencia

 

Knowledge Symbiosis with Roxanne Swentzell and Anne LaForti

In the fourth episode of our limited series Knowledge Symbiosis: Can Biomimicry and Indigenous Science Harmonize?, Roxanne Swentzell and Anne LaForti engage in a conversation hosted by Sara El-Sayed, converging Indigenous ideologies and scientific understanding of soils, seeds, regenerative versus sustainable terminologies, and steps to healing ourselves and our ecosystems.

Series Synopsis

This limited series, Knowledge Symbiosis: Can Biomimicry and Indigenous Science Harmonize?, is produced by The Cultural Conservancy’s Native Seed Pod in collaboration with Arizona State University and Learning From Nature: The Biomimicry Podcast. We invite dialogue from multiple perspectives—practitioners in biomimicry, and elders, practitioners, and Indigenous scholars—so we might better understand each other and explore opportunities to weave these learnings. These conversations delve into the ethics of science, human-nature connection, regenerative design, and our relationship to all other kin on this planet. Five episodes will be available on The Native Seed Pod and Learning From Nature: The Biomimicry Podcast for listeners to tune in and reflect. The episodes are hosted in rotation by Dr. Melissa K Nelson, Dr. Sara El-Sayed, and Lily Urmann, and feature conversations between Indigenous scholars and practitioners: Kim Tall Bear, PennElys Droz, Melissa Nelson, and Roxanne Swentzell; and Biomimicry scientists and practitioners: Janine Benyus, Dayna Baumeister, Maibritt Pedersen, and Anne LaForti.

We don’t even have a language for it in English. There’s a relationship, there’s a nurturing that goes beyond just eating healthy food. There’s something that happens on a spiritual level that I think we really need to take into account. That’s medicine. When they say food is medicine, it’s not just the nutrients in it. It’s the whole connection. It’s all of the parts that make us related to that tomato, that corn, that squash, that pineapple–wherever you’re from.
— Roxanne Swentzell

Photo by New Mexico True

About Roxanne Swentzell

Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist.

Roxanne is a prominent Santa Clara Pueblo clay and bronze sculptor and contemporary artist whose award-winning works are featured in major public collections, including the Museum of Indian Arts and Culture in Santa Fe, the Smithsonian’s National Museum of the American Indian, Cartier in Paris, and other world-class museums and venues. 

Growing up within an artist family allowed Roxanne to naturally take up her mother's clay and start sculpting at a very early age. Her figures represent a full range of emotions and irrepressible moods. Roxanne Swentzell focuses a lot on interpretative female portraits attempting to bring back the balance of power between the male and female, inherently recognized in her own culture. Additionally, she increasingly uses a powerful sense of humor to communicate. Though steeped in her own culture, Roxanne's work demonstrates an astounding universality, speaking to people of all cultures. 

Today, Roxanne’s deeply emotive works and unique artistic style continue to be recognized and renowned worldwide. Using the ancient technique of layering coil upon coil, her large, contemporary works reflect the range of the human experience, connecting with both Native and non-Native audiences.

In 2013, Roxanne led the Pueblo Food Experience, where 14 Pueblo volunteers ate, for three months, only ancestral foods available before colonization, and the results were studied and published. She also runs the non-profit Flowering Tree Permaculture Institute, which she helped found in 1989, working to inspire and nurture communities based on Indigenous ways of knowing. The Institute provides workshops, shares resources, trains interns, creates sustainable ecosystems, renews the earth, builds, hosts gatherings, grows food, teaches, and supports the community.

Roxanne keeping bees - photo via Flowering Tree Permaculture Institute

Roxanne’s outdoor patio

 

Photo credit: Anne Laforti 

About Anne Laforti 

Anne LaForti is a soil health expert with a Master’s in Biomimicry from Arizona State University. She is a project manager at Biomimicry 3.8, supporting nature-based innovation in the built environment through “Project Positive.” Anne is deeply interested in soil science, microbiomes, mycology, rainwater catchment, urban and regenerative agriculture, and growing nutrient-dense foods. She was the 2022 Spring Nature, Art, and Habitat Residency (NAHR) Fellow in Santa Ynez, where she worked on “Soil as Pattern Language: Emulating Healthy Soil Communities” and is currently a NAHR Ambassador. Anne is committed to creating regenerative designs that support healthy ecosystems to help heal the soils of California and beyond. 

Group collaboration and creativity at the Biomimicry Immersion workshop in Mill Valley, Northern California

School Garden:  Clifton Middle School's garden care team - during their first work day, as we planted a tree, covered the soil, and tended the compost

 

about Sara El-Sayed

Sara El-Sayed has a joint position as the Co-Director of the Biomimicry Center and Assistant Research Professor at the Swette Center for Sustainable Food Systems. El-Sayed has a doctorate in food system sustainability, specifically on regenerative food practices in arid regions, and a master's in Biomimicry, both from ASU. She also has a Biomimicry Professional Certificate from Biomimicry 3.8. She held a postdoctoral position at the School for Future Innovation and Society, in Public Interest Technology. Her research interests include exploring ways to have more regenerative and net-positive local food systems, and she is currently involved in the local Arizona food space. Previously she worked as a researcher in Biomimicry and microbial geographies.

El-Sayed is the co-founder of several enterprises in Egypt. Nawaya is a social enterprise working as a catalyst to transition small-scale farmer communities into more sustainable ones through education and research. Dayma is an LLC responsible for outdoor Environmental Education, teaching young adults about Biomimicry and local Egyptian communities. Clayola is an LLC producing low-tech irrigation systems. She is an avid traveler, nature lover, and enjoys tasting foods, cooking and interacting with people through food experiences. Sara is on the board of Slow Food, an international movement that started in Italy aiming to safeguard local food cultures and traditions and does so by promoting Good, Clean, and Fair food for all. Sara has also worked on other podcasts including a series on regenerative food systems.



CREDITS

Host/Writer/Director: Melissa Nelson, Sara El-Sayed, Lily Urmann
Producers: Mateo Hinojosa, Sara Moncada
Co-producer: Raven Marshall
Audio Engineering: Colin Farish
Audio Recording: Melissa Nelson, Raven Marshall, Alexis Stanley
Episode cover artwork: John Jairo Valencia

Original Soundscapes and Songs

Soundscapes and Music Composed and Produced by Colin Farish
Listen to more of Colin’s music at colinfarish.com

Song credits

Music and soundscapes composed, produced, arranged by Colin Farish
Theme song: “Life” By Colin Farish
From the album Colin Farish: “Curious Species”

Featuring:
piano: Colin Farish
percussion: Airto Moreira
guitar: Peter Medlam
bass: Chas Thompson

The Native Seed Pod is produced by The Cultural Conservancy

 
 


Campfire with Kumu: A gathering (around the campfire) of the LA's Soil Sponge Collective in the Sierra Nevada mountains to learn from nature and Kumu Mikilani Young, holding space for Indigenous wisdom and regenerative healing of place

Biomimicry LA (Los Angeles) "Functions of Plants" Walk at the Los Angeles Arboretum and Botanical Garden, facilitated by Botanist Frank McDonough

The Poetry of Sacred Food Culture: Conversations with Simon Ortiz

Speaker: Simon Ortiz | Air Date: March 2nd, 2020 | Run Time: 53mins | The Native Seed Pod: Season 2

Speaker: Simon Ortiz | Air Date: March 2nd, 2020 | Run Time: 53mins | The Native Seed Pod: Season 2

The Poetry of Sacred Food Culture: Conversations with Simon Ortiz 

In the final episode of Season 2 of The Native Seed Pod, podcast host Melissa Nelson sits down with famous Acoma Pueblo writer, poet, and storyteller Simon J. Ortiz at the Mesa Refuge writers retreat in Point Reyes, California. 

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During their time together, Melissa and Simon touch on many topics of varying depths; from the intricacies of traditional tribal identities to the wonder of our traditional foods, to our role as Indigenous peoples in the future of ‘green’ urban development on our traditional territories.

Simon’s gentle ease and wise words amplify simple truths and ground large heady concepts, leaving us open to receive the immensity of his final gift a sharing of his poem, Deer Dinner.

We are honored that this episode was an official selection for the 2022 imagineNATIVE Film + Media Arts Festival.

 
Culture is knowledge and knowledge is the basic elemental resource that we have in conducting our lives.
— Simon J. Ortiz

Woven Stone - book by Simon J. Ortiz

About Simon J. Ortiz

A tribal member of the Acoma Pueblo, Simon J. Ortiz became one of the most significant Native American writers of the twentieth century, being a major contributor to the Native American Renaissance in the late 1970s. Simon’s words and stories are infused with the presence and spirit of his first language, Acoma, and have been collected and published in over 25 collections of poetry and storytelling over the last 50 years. As a public speaker, author, and professor he has been recognized for countless awards and commendations. Ortiz is Professor Emeritus at Arizona State University and resides in Phoenix, Arizona.

Simon Ortiz at Amerind Museum with Linda Hogan and John Ware

Simon Ortiz at Amerind Museum with Linda Hogan and John Ware


Culture and The Universe

Simon J. Ortiz – Out There Somewhere

(University of Arizona Press, 2002)

 

Two nights ago
in the canyon darkness,
only the half-moon and stars,
only mere men.
Prayer, faith, love,
existence.
                       We are measured
by vastness beyond ourselves.
Dark is light.
Stone is rising.
I don’t know
if humankind understands
culture: the act
of being human
is not easy knowledge.
With painted wooden sticks
and feathers, we journey
into the canyon toward stone,
a massive presence
in midwinter.
We stop.
                       Lean into me.
                       The universe
sings in quiet meditation.
We are wordless:
                       I am in you.
Without knowing why
culture needs our knowledge,
we are one self in the canyon.
                       And the stone wall
I lean upon spins me
wordless and silent
to the reach of stars
and to the heavens within.
It’s not humankind after all
nor is it culture
that limits us.
It is the vastness
we do not enter.
It is the stars
we do not let own us.

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Additional Resources 

CREDITS

Host/Writer/Director: Melissa K. Nelson
Producer: Sara Moncada
Co-producer and photographer: Mateo Hinojosa
Audio Editor and Engineer: Colin Farish
Production Assistant: Teo Montoya
Photography: Melissa Nelson, Andrew Preble

Songs (in order of appearance):

Music by Colin Farish
Drums, flutes, and keyboards by Colin Farish
Voice, Taos drum, and jingles by Eddie Madril
Drums by Glen Velez
English horn by Paul McCandless
Cellos by Fogtown Cello Quartet
Female vocals by Teresa Nelson

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